As they say themselves, it's the 'world standard in pitch correction and vocal processing.' They have recently introduced a brand-new version called Auto-Tune Pro, which replaces version 8 as their premium product. It operates as a plug-in inserted upon a vocal track and processes the audio directly on playback. Before pitch correction technology, the only way to improve a vocal line was to record the vocals again. The solution to this problem started emerging in the 1970s, with Eventide's H910 Harmonizer. This device was the first of its kind; a multi-purpose box that included pitch shifting with an octave (up and down) range. Worried about getting a perfect pitch? Looking for pitch correctionservices? We are providing best vocal tuning services online for your vocals, which will give the best outcome for your song. Whether you need a manual vocal tuning or auto tune vocal,we are best in offering both. Vocal pitch editing using VariAudio on Cubase 6 Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano).
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I guess you would have to agree with me that the best way to polish your vocal recording or a vocal sample is to sprinkle some effects, just like the way you would sprinkle a reasonable amount of ingredients on your food. If done right, it sounds delicious right, yum yum 😉
Vocal effects are no exception to the ingredient perspective, you need to add a reasonable amount of effects to make them sound lively, and enjoyable to the listeners.
Don't get me wrong, I ain't saying you should stack effects upon effects on your vocal samples, too much of everything is bad. That said, let us look at the best free awesome VST effects plugin in the music production scene.
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Garageband noise reduction plugin. Page Contents
- 5.) g200kg – KeroVee
- 10.) MGF – TimeWarp
1.) AegeanMusic – PitchProof
If you haven't heard of PitchProof, then, you are definitely missing out, this is like the secret tool I use on Vocals but it wasn't even developed for Vocal, it was actually designed to work on monophonic signals such as guitar solos, but I'll give you a tip on how I have been using it:
You don't want to apply it in realtime, what you should do instead is to first select the key of the harmony, then you turn the Blend knob all the way to the right; wet e.g:
Export the vocal result, add whatever effects plugins you gat on your toolbox (vocal, flangers, etc) to spice up the pitched vocal, and then stack it on top of the original vocal. Boom, you have something unique!
Note: You don't have to always push it all through the wet side as this might cause artifacts, just experiment and stick with what works for you.
You can even export more vocal, and maybe this time, you can try by reducing the detune knob, anyways, experiment until you get your preferred test.
That said, let's look at some of the features of PitchProof:
The Blend control knob would let you adjust the level of pitch shift, while the Pitch drop-down menu lets you select pitches like +7 or -7, or harmonies which are intelligent pitch-shift effects.
Moreover, there are also some options at the bottom of the PitchProof plugin which give you the option to switch between stereo and mono; mono could save your CPU, while the stereo option could cause a resource hog if used on multiple inserts.
Transient Fix can be switch on or off to spice things up a little!
Harmony | Info |
2nd | Dissonant harmonies |
3rd | The Typical Major/minor Chord Harmony |
4th | The same as the +5 semitones setting except a few notes are flat. |
5th | The Same as The +7 Semitones Setting Except the Last Note of The Major Scale Is Flat Making It 'diminished'. |
6th | A nice-sounding alternative to typical harmony intervals. |
7th | Dissonant 7th Chord Sounds. |
2.) Auburn Sounds – Graillon
Call 0f duty modern warfare. This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.
It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness.
Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.
Features:
- Pitch Shifter cleanly transposes a voice up and down and has been optimized for voice.
- Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly adds sparkles to the mix.
- Freemium
System Requirements
- Available as VST, VST2, AAX, and Audio Unit plugin for macOS and Windows platform.
Download Graillion Auto-Tune Plugin
3.) JHudStudio – Vocal King
Vocal King helps glue the vocal in a mix, and it comes preloaded cool parameters, that could help in customizing the audio signal of a vocal track.
The Pres Compressor knob helps in bringing out the clarity of a vocal, so, by turning up the gain of the Pres Comp brings out the presence in the vocal along with giving it a smooth compression. On the other hand, the Low cut, Tighten, and the Bass knob compliment the Pres Comp in taking out muddy frequencies without the vocal sounding too thin.
I also love playing with the Crispy knob as it sprinkles some sparkles to the audio signal.
Features:
- Help vocals to stand out in a mix by giving them amazing presence, clarity, and compression. Can easily work on any other content.
- Acts like are preamp giving the signal a strong boost.
- Easy to use interface for fast results.
- Easy to read meters
- Very CPU efficient compared to other types of plugins.
- It can be used on many other audio sources as well.
System Requirements
- Vocal King supports MAC/Windows/32bit/64bit/VST2/VST3/AU. Supports MAC OS X 10.7 / Windows 7 and higher. Older systems may not work.
4.) Sonic Anomaly – Vola
Vola is a Voice Optimized Leveling Amplifier made for broadcast voice dynamics processing, it also works with different kinds of audio material, like drums, percussive instrument, and synth pads.
This fantastic tool is solely for cleaning up sound files but can be used for extreme compression effects as well.
Features
- Real-time Visual Metering for changes in dynamics
- Upwards & downwards compression, each separately adjustable.
- Stats Display and more compression settings
Download Vola Vst (Windows)
Download Vola Jsfx (Windows and Mac)
5.) g200kg – KeroVee
This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.
This tool is handy and can perform different and various types of voice effects, for example, a conversion of the male voice to a female voice and vice versa.
KeroVee comes bundled with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:
- Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one
- TuneSpeed: This will allow you to set the speed of correcting the pitch.
- Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sorts of weird effects.
- Amount: Set to zero (0) if you want no correction, setting to 100 will result in full correction of the pitch
- and many more parameters like Transpose option, master volume, etc.
System Requirements
- A compatible host program that supports the VST formats
6.) Martin Eastwood – Duet
Have you heard those natural double effects in some tracks! Do you wonder how those are created? I guess yes 😉
Let me introduce to you – Duet, a double-tracking effect designed to enhance your audio sample be it vocal or even instruments, Duet is well capable of sparkling them up. The way Duet work is by pitch-shifting both the left and right inputs individually using a novel synchronous overlap and add technique, allowing pitch to be manipulated in real-time while still maintaining the time duration of the audio.
One thing I love about Duet is the way it can accurately create the illusion of multi-voices and adds varied texture to the mix. Experiment with Duet to see how it works.
Note: This is only available for Window
7.) MaxSynths – DSP-2
DSP-2 is designed with an intelligent Dynamic Processor, a 4-band equalizer fixed on vocal key frequencies, a saturator, and a room emulator based on the Schroeder reverberator. DSP is super simple to use and can serve basically all your vocal processing needs, again, experiment and keep experimenting to get the best settings that would soothe your need.
Features:
- Intelligent Dynamic Processor (IDP).
- 4 different automatic operative modes.
- Selectable compression ratio.
- Saturator with three different operation modes.
- EQ fixed on vocal key frequencies.
- Room emulator based on the Schroeder reverb model.
- Transparent increment of the perceived volume level.
- High precision input/output VU-meter.
- Low CPU usage.
8.) Distorque – Azurite
Azurite is a vocal effect by Distorque which is built for multi-voice chorus with a focus on rich sounds and versatile controls.
According To Distorque:
My goal in designing it was to make as flexible a chorus as possible without losing great tones and ease of use. The result is an effect that will be handy for producers, guitarists, and glitch lovers alike.
One of the great features of this plugin is the way you can create multiple simultaneous voices. Each of these voices can be further customized with their own delay line that is modulated by a separate LFO. Adding multiple voices leads to a thicker, smoother, and less wobbly tone. It also makes vivid stereo spreading possible with a mono signal.
The voice control helps you to choose how many voices you want for the chorus, e.g one, two, four, or eight.
Features:
- Stereo or mono operation.
- Colour control emulates vintage analog choruses.
- 2 band EQ.
- LFO tempo sync.
- Feedback control allows for flanger sounds.
- 27 built-in presets.
- Delay time from 0.2ms to 200ms.
- 7 LFO shapes: Sine, Triangle, Sawtooth, Ramp, Exponential, Inverse Exponential, and Random.
- Spread control for a stereo widening of a mono signal.
- Control randomizer.
- Other controls: Depth, Speed, Wet Mix, Output, Separation, Dry Delay.
Note: This is only available for Window
Download Azurite Win 32 VST / Win 64 VST
9.) TerryWest – EasyVox
EasyVox contains a bunch of tool for vocal processing, such as:
- Dynamic mono vocal compressor/limiter/enhancer
- Three bands equalizer
- Autogain and Pre-Limiter
- Auto Noisegate
- Auto Band-off
- Three EQ models
- Fine EQ option
- EQ activity/bypass LEDs
- Low-Mid-Hicut
- Vocal Doubler effect
- Pre in/Post out gain
- In/out/reduction meters
Donate To The Developer, It helps him to build more exciting plugins
Note: This is only available for Window
10.) MGF – TimeWarp
Last on our list is Timewarp by MGF, which is a vibrato effect with 2 LFOs which can pan the pitch modulation amount for a stereo effect.
Features:
- Sine, Triangle, Saw and random waves with control over the shape and smoothing.
- Optional 4x upsampling and a smooth modulation algorithm ensure clean sound with minimal aliasing. Normal quality
- saves CPU and sounds brighter but less silky.
- 2 different interpolation algorithms are available (ALG).
- Fast modulation settings possible and encouraged
That is it, Good luck and have fun with music!
Useful Related posts:
Human beings are many things, but perfect is not one of them. Whenever a human voice or body is involved in the recording process, mistakes will be made. We've already gone over why we should be open to making mistakes, but this doesn't satisfy our desires all the time. Sometimes, we want the guitarist to perform a perfect bend, or the vocalist to hit the perfect note. For several decades now, the technology of pitch correction has minimized human error and allowed musicians and producers to inch closer to perfection. This quest for perfection can risk resulting in robotic, inhuman sounding performances. But how one uses pitch correction depends on one's goals with a given song and mix. And there's a lot more to pitch correction than one might think.
Pitch correction: a brief history
Like all technology, pitch correction arose as a solution to a problem. The primary problem, in this case, was vocal production. While many recording artists could hold their own vocally, even small errors could amount to major time losses. Before pitch correction technology, the only way to improve a vocal line was to record the vocals again.
The solution to this problem started emerging in the 1970s, with Eventide's H910 Harmonizer. This device was the first of its kind; a multi-purpose box that included pitch shifting with an octave (up and down) range. Two decades later, Antares Audio Technologies introduced Auto-Tune, software that automated and refined the pitch correction process. In 1998, consumers and producers alike noticed the viability of this technology as both tool and effect with Cher's hit song, 'Believe,' one of the first and most successful releases to implement Auto-Tune.
Techniques in pitch correction
While the primary purpose of pitch correction technology is to correct pitch, of course, there are different approaches and techniques used to achieve this. Several factors make up the human voice or any monophonic instrument. These harmonic signatures indicate the source of the audio. A voice sounds different than a guitar, for instance, because of their different harmonic signatures. So, when it comes to correcting pitch, other aspects of sound matter, too. https://ameblo.jp/1mixvocomtelf/entry-12650904336.html. If one simply shifts a held vocal note from a D to an E flat, this minor change can yield an unnatural sound. In order to avoid this artificial result, one wants to maintain as much of the harmonic signature possible while correcting the note. On the other hand, if one wants a more synthetic sound, keeping less of the harmonic signature would be desired.
In every pitch correction program, you'll find similar terms and parameters. Some programs use different names for similar functions. Regardless of semantics, these tools within the software give the user control over the tone, pitch, and overall quality of the sound. Let's look at some of these parameters and how they affect a note processed through pitch correction software.
Formant
This term refers to the frequencies made by the human voice when forming vowel sounds. In other words, it deals with how wide the throat opens when producing a vocal note. The formant will vary for different pitches. Therefore, shifting a note up or down naturally results in different formants. This is something to consider when artificially correcting pitches.
Vibrato
Vibrato causes a note to rapidly waver in pitch. This can be done on string instruments by vibrating the wrist or finger, or through vocal breath and muscle movement. The more vibrato, the richer and more natural the tone. Removing natural vibrato from the vocal recording results in a smoother, robotically precise performance. Controlling the level of vibrato makes a big difference when making pitch-corrected vocals sound more or less natural.
Transition
This refers to how one note leads to another. The human voice cannot and does not immediately jump from one note to the next. It instead quickly ramps up or down the scale to reach the right note. Maintaining these transitions when correcting pitches keeps the vocal line natural sounding. Conversely, removing these transitions makes the vocals sound synthetic. Most pitch correction programs automatically maintain these transitions, which can later be adjusted for steepness.
Some of the best programs for pitch correction
No matter how you personally feel about the use of pitch correction, it has undoubtedly made an impact on modern music production, improved 'bad' recordings, and spread its influence over just about every genre, from country to metal. Espresso 1 1 3 intelk download free. While Auto-Tune has become a catchall term for this technology, it hasn't monopolized the market entirely. Several other comparable pitch correction programs exist today, each with their own interfaces, features, and abilities.
Antares Auto-Tune
The pioneer of automatic pitch correction, Auto-Tune works in real time to augment solo notes, putting them precisely where they belong in key. One simply has to input the type of scale (major, minor, chromatic, etc.) so that the algorithm knows where to map each individual note after processing the audio. Not only does the software feature the aforementioned Automatic Mode, but also Graphical Mode, which allows the user to manually shape notes in both time and pitch.
Auto-Tune goes even further to maximize vocal performance. While it detects and corrects pitch and timing, it also maintains and enhances vocal color and texture. The Throat Length parameter can be used to augment individual notes. One can also add or enhance vocal vibrato to any given note or section, adding another layer of precision to mixing vocals.
Celemony Melodyne
Perhaps Auto-Tune's closest competitor, Melodyne provides a powerful alternative in pitch correction software. With a welcoming user interface, Melodyne keeps things pretty simple. Waveforms of the same note are broken down into 'blobs,' which can then be manipulated with all the parameters featured in Auto-Tune's graphical function. From pitch to timing to vibrato and more, Melodyne covers all the bases. The program also allows multi-track editing, streamlining the pitch correction process.
Pitch correction and manipulation within DAWs
The prominence of programs like Auto-Tune has led most DAWs to include their own comparable pitch correction features within their software. Here we'll examine Flex Pitch in Logic Pro and VariAudio in Cubase.
Flex Pitch in Logic Pro X
While previous versions of Logic featured Flex Time, it wasn't until Logic Pro X's release that Flex Pitch came to life. This pre-loaded feature alone adds a lot of value to the most recent edition of Logic. Like Auto-Tune, Flex Pitch allows you to choose the key of the melody via 'Scale Quantize,' making it easy for the DAW to figure out where notes belong. The interface somewhat resembles Melodyne, simplifying waveforms of the same note into an adjustable line instead of a blob (like on the piano roll editor).
Flex Pitch also comes packed with vibrato control with a percentage rating. The formant shift feature imitates the throat length parameter in Auto-Tune, affecting the natural overtones of the human voice. Overall, Flex Pitch might be better for fine-tuning minor pitch issues for vocals and solo instruments. Still, it's a great tool that comes right with Logic Pro X.
VariAudio in Cubase
Cubase 5 introduced VariAudio, another pitch correction and modulation tool for monophonic instruments and vocals. The interface looks very similar to both Melodyne and Flex Pitch, breaking down waveforms into individual notes. Using the 'segments' tool, single notes can be split anywhere and separated by pitch or other parameters. The 'straighten pitch' function works like the vibrato function in Flex Pitch, flatting wavering notes for a smoother, precise, and more robotic pitch.
In many ways, VariAudio and Flex Pitch are the same, with minor differences in interface and parameters. This works out well for those who prefer one DAW over the other since both have similar pitch correction features.
How pitch correction can improve your mix
Obviously, most of us want to hear songs with clear melodies, properly in tune and in key. But pitch correction can do more for your mix than simply adjust notes. As previously mentioned, all of these programs can shape the very tone and color of a vocal performance or instrument. Even if the performer nails every note, more can be done to the track using the tools within pitch correction. Adding vibrato or adjusting the formant length can help the track stand out or better blend into the mix. Amazingly, all of these things can be fixed without re-tracking the section.
The question of preference matters as well, of course. That is, what kind of song are you producing? If you want that more synthetic, T-Pain inspired sound popularized by Auto-Tune, these programs can help achieve that. Maybe you just want a smooth, shiny vocal line that competes with modern pop music standards. Or, on the other end of the spectrum, you might want the vocals to sound nearly untouched. Even the rawest sounding vocals can be tweaked to better blend into the mix and stay properly in tune. Best of all, these vocals will still maintain their original grit and realism.
Conclusion
Pitch correction offers the flexibility to modulate notes in time, pitch, and tone to whatever degree suits the goals of the mix. Auto-Tune might get a bad rap for overthrowing the integrity of music production, but it and comparable programs ultimately put the control in the user's hands. The degree to which notes are modified or left alone depends on the program you use and the mix you desire. These tools have led to better productions, more efficient workflows, and infinite creative possibilities, regardless of one's personal objections or hangups.
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